Never having both feet off the ground at once
Admission is defined as both “a statement acknowledging the truth of something” and “the process or fact of entering or being allowed to enter a place, organization, or institution.”
If we believe this to be true, how do we understand truth when encoding, retaining, and retrieving memories? How do memories gain entrance to our bodies and minds, and what must we acknowledge and bury to navigate them?
These works pull from an archive of image fragments, photographs, paintings, and printed ephemera that are cut, taped, layered, and rearranged to produce image-objects. Each piece builds as an improvised response to the last, highlighting intimate moments that often exist just beyond consciousness—admissions that hold multiple histories, events, and gestures that flutter between the immaterial and the physical.
